Download PDF by S. Crocker: Bergson and the Metaphysics of Media

By S. Crocker

ISBN-10: 113732449X

ISBN-13: 9781137324498

Any message calls for a medium, yet simply because media should be accelerated and made extra effective, we additionally regard them as hindrances within the method of greater verbal exchange. Media are either skill and hinderance and this results in a few vital and tough difficulties that go the borders of media concept and philosophy:
  • Can media produce immediacy?
  • What needs to mediation be if it does not cross away?
  • Why is there's consistently a middle?
  • Can the potential be thought of independently of the content material that passes via them?

This ebook follows the 'metaphysics of mediation' from the philosophy of Henri Bergson right into a wide selection of highbrow routine that he motivated, from radical varieties of Catholicism and phenomenology to the media philosophies of Gilles Deleuze, Marshall McLuhan, Walter Benjamin and Michel Serres.

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Extra info for Bergson and the Metaphysics of Media

Sample text

The interval does not resonate. 42 As film develops and evolves throughout the century, its real novelty and creative possibilities emerge. Post-war cinema introduces chronogeneses, or time-images which ‘reverse the relation of time and movement’ and give the interval a whole new creative power. 43 Deleuze’s comments on Welles’ use of depth, which we will take up in more detail in the following chapter, are very similar to McLuhan’s insights on cubism. Instead of being given a sequence of discrete planes, the viewer is offered a set, or a multiplicity of them all at once and is invited to roam around inside the shot and synthesize them.

Radio, television – which electricity makes possible. ’35 The message or effect of electric technology is acoustic even when it appears as print. In a later chapter, we will focus more precisely on McLuhan’s theory of the multidimensional and ‘intervallic’ quality of sound. For the moment, we continue with the properties of electric media and the Catholic image of common sense that McLuhan finds in it. Electric media, McLuhan argues, represent a novel moment in the history of media. Electricity does not externalize any one sense.

Possessing the capacity to create a different form) and, in formal potency to it (able to receive, to be acted upon by the perfection). In such a case, the active agent is not distinct from the passive recipient of motion. This is not true of all equivocal agents. God is not transformed by the perfections he possesses, even though he may contain them in a virtual way. But it is true of some, and Scotus ultimately wants to show that it is possible that God could create beings that are themselves capable of self-motion.

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Bergson and the Metaphysics of Media by S. Crocker

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